supported by sasse , wolf& lamb, djulz, trickski, chris duckenfield, willie graff, vera, huxley, afrilounge, lee jones, kris wadsworth, yakine, hauke freer, james teej (rekids),.. yes, its the man again, iron curtis! he has been climbing up for the last few months with various top releases (like on mule electronique, hudd traxx, undertones or his dirt crew recordings remix) and this is another proof why iron curtis is a man to watch. its all there: fat basslines, well crafted beats and great synths. real neighbour baaz (no joke, they live door to door) is adding a smooth remix to finish this well balanced pack. go and get 70!

not many words are needed to describe the roll fritz kalkbrenner is on right now, his vocal performance and songwriting skills are out in the open.. simply amazing!!! that s why we are very happy to present his debut single facing the sun of his very first artist album here today gone tomorrow , which will come out on october 15th. we are also very happy to have his brother paul kalkbrenner and his long time friend sascha funke on board for remixes!! exspect nothing less than phat dope shit! facing the sun in fritz kalkbrenner s own words: one more time, here is track that a few of you guys might be familar with. facing the sun was released as a non-vocal version on my first suol ep last year named wingman . i just couldn t resist recording some vocals on top. if you liked wingman , you will love facing the sun

die nullerjahre des 21. jahrhunderts verbrachte er nach eigenen angaben in einem selbst gew?hlten exil als >would-be folksinger<. lloyd cole, zusammen mit den commotions oder eben solo seit mitte der 80er-jahre eine feste gr®?e im internationalen popzirkus, sehnte sich nach dem spiel mit der band, nach ein wenig rock n roll. die songs dazu hatte er bereits, das geld dazu besorgte er sich von den fans: circa 1000 von ihnen waren bereit, 45 dollar f?r eine de-luxe-version eines albums zu ?berweisen, das von eben diesem geld erst noch eingespielt werden musste. cole rekrutierte eine studioband aus alten und neuen bekannten, u. a. joan wasser alias joan as police woman sowie mark schwaber und matt cullen von coles begleittrio the small ensemble. das ergebnis nennt sich >broken record< und ist das frischste und lebendigste klangerzeugnis, das von lloyd cole seit jahren zu h®ren war. man merkt dem album an, wie gut cole das zusammenspiel mit der band tut, die songs sind auf gewohnt hohem niveau. aus dem would-be folksinger wurde wieder der s?nger einer rock-n-roll-band.
inklusive code zum freien download des albums.

whether hes producing singalong house anthems (la mezcla) or hard edged tech house (red tape), michel cleis obsession with sound has seen him garner a reputation as one of electronic musics most exciting production forces. with recent remixes such as tracey thorns >why does the wind?< and harrison crumps >deep down inside< still rocking dance floors aplenty, cleis next solo move has understandably been an eagerly anticipated one.

essential sneak vol.3 ofor your ears... played & support by : hector moralez, fred everything, luciano, d julz, kreon, markus fix, italoboys, dan curtin, raresh, robert dietz, mark farina, heather, nic franciulli, laurent garnier

mlms live show now incorporates a full brass section and drummer, accentuating the elements of carnivalesque ska and heightening their collective energy. this, combined with johnnys unique lyrical style, sees the band form a new fuller sound, merging their playful melodies with a powerful back line. young british singer, jessie ware (who has also sung for jack penate), a bright new talent, has also joined them to offer soulful vocals. the >lovestruck< ep reveals a more refined method of writing infectious and original british music. their new approach to composition harbors their recognized style, whilst showing a progression as serious songwriters. for the release of the ep the band has been working with producers such as clive langer (madness) and charlie hugall (florence and the machine).

do you remember why you started going out in the first place? if not, the maze will remind you with the largest feedback overdose since jimi and miles devastated the isle of wight. recorded in one take in an all-analog set up, stefan hooked up drum machines, distorition pedals and a theremin-controlled fuzz box for the ultimate screaming machine jam. now spanning two sides of a 12inch.

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

everybody loves summer & house music, and of course so do we! these four tracks by our italian and spanish friends have already been hammered on various open air floors by the usual suspects, and especially marco effe s track chesley had people running up into the dj-booth trying to find out what it is. well, today we finally have the answer.
but also romano and luca, who both have made a name for themselves with releases on break new soil as well as various other imprints are showing why they are two of the keyplayers of modern house-music from italy. and last but not least danny serrano & hector coutu deliver a classic groove monster that will bring new boosts of energy to preparties, prime-time sets and after-hour dancefloors as well.

kevin m. kennedy aka fbk is escaping. escaping from the everyday struggles of life in columbus, ohio, usa. one of his escape routes is his music and when you listen to his tracks you can feel why. his music is emotional to the core, no matter if its powerful and heavily funky techno such as >flying hybrids< or dark and sinister straight electro like >chosen path<. every single sound and rhythm is pure fbk and will cause a frenzy on the dancefloor. having released on shakes frictional label as fbk and on detroit based label xplor as the sleep engineer, kevin is not a newbie in the techno circus. diametric. is proud to release the first new record from the expert escapist since 1997. why he remained below the radar for so many years is a mystery. fbk will have further upcoming releases on frictional soon. no digital distribution. limited to 320 handnumbered copies. save the vinyl.

monster turbines truly deliver the big sound, power, and clarity that you d expect from full size high-end speakers. that s why we had to call them speakers, not headphones. • low mass, wide bandwidth driver for precision response • black chrome all-metal housing eliminates vibration for pure sound • monster sound isolating eartips in multiple sizes provide a perfect fit to seal out noise • tangle-resistant cable design • microstrand cable for extended frequency response

hailing from leipzig in germany is an artist whos music has been pricking up many ears across the global underground over the last few years. its hard to put a finger on what it is about kassem mosses productions that make repeated listening a must, but the intricacy, fresh arrangements and musical depth definitely play a part in attracting labels such as the highly respected techno imprint workshop, the legendary soma records and now nonplus are honoured to present his latest 12 inch. a) kassem mosse – >we speak to those< first up on the a-side we have >we speak to those< a 4/4 track of the highest quality that keeps you guessing from start to finish. the rugged and raw kick and bassline immediately set the foundations for the incoming awkward chord stabs whilst reversed beats lazily slur in and out over the main groove giving the track the unnerving feeling that its almost changing tempo. random sound effects and a non conforming arrangement make this track about as predictable as the english summer. one listen to this and youll immediately understand why this artist is getting love from some of the scenes biggest players at the moment. aa) kassem mosse – >hi res< phased drum machine breakbeat patterns and stutered percussion redolent of the early detroit techno uprising give this track an outstanding quality of being able to conjure up the same feelings of hope and optimism for electronic music that the aforementioned era managed to. thought provoking chord progressions take your mind on an excursion to the future and leave you gagging for an extended trip. think skyways, flying cars and towering metal buildings footed with dark abysmal underworlds and youll get the drift. they don t come much deeper than this one

typical belgian house mafia sound ...

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

theres movement in the formatik dog pen. the two format : b alpha dogs recently introduced their latest techno puppies with combined, and now theyre showing their teeth again. when dogs meet they dont just lick each others ears but also put on a silver dog tag. seeing as the three legged four leggers jakob and franziskus arent that happy being alone and are often seen dancing over the dog grounds wagging their tales they have decided to share their bowl with sebastien leger, the french production bulldog who always has a couple of remix scooby-snacks lying around somewhere. that is why they have given him one of their dog tags and have mutually decided that legers own dog club mistakes music will be going walkies with formatik on a regular basis. only the lady and the tramp is more romantic than that.

echospace are proud to announce the third ep from the forthcoming cv313 album, >dimensional space<. this release marks the first remix from one of the uks most revered talents -- king midas sound (the bug) who manages to take the original in a direction one would never expect, creeping and trembling right at the very core of your very being. this is truly the midst of something beautiful, its haunting, infectious and has no restrictions to gravity, this is truly something to float in. next we have a heady subliminal interpretive from seattles, rafael anton irisarri as the sight below (ghostly) there is a reason why his sound has even turned the head of radiohead front man thom yorke and if i had to guess i would say its rafaels emotional range, he tugs right at the heart strings. this mix is as narcotic as you would expect, a slow motion dream where in every twist and turn a new detail unfolds, its like visiting an unexplored world -- subtle and hypnotic. on the b side (our first sound snippet) we have a more 4/4 number culled from deepchord presents: echospace (modern love) live set from this past year. this one has been tried and tested at countless shows and club floors around the world. its all about that syncopated bassline, a subterranean bottom and an atmosphere as deep as the ocean floor -- this is underwater space funk.

kathy diamond is possibly one of dance musics greatest singer, songwriters. on love saves the day she demonstrates why she is considered such a talent. every great original, already release on separate vinyl disc (needw004), should have an equally good remix and with this new package that rule is no exception. mario basanovÆs vocal remake is a perfectly timed disco shaker, that combines funky guitar licks with an eighties inspired synthy bassline all to a summery and uplifting backdrop. kathys vocal is cut up to perfection with eventually mario letting the chorus shine. on the dub he takes things direct to the dancefloor with squelchy bassline and punchy kick drum with a piano break that will have hands pointing upwards. soulclap need little introduction being one of the hottest production / dj at this moment in time. from the wolf & lamb camp, they have impressed with their repertoire of musical abilities.

fantastic new album by the magic numbers as double 12 inch vinyl plus one-sided 7 inch in gatefold cover.

a new hottie from germany is the guy for some dark sounds. he starts of with >flora< which is undoubtly the sure shot in the sets of all the liebings, speedy js and other more dark heroes of underground techno. on the flipside mr. berkovi layed his hands on the talent of michael and he prooved why he achieved his very own outstanding reputation when it comes to spooky sounds and eclectic sounddesign.

kenton slash demon is indeed one of the most promising new talents out of denmark. the two guys who are also behind the much acclaimed indie-disco band when saints go machine and have gained massive attention with their ksd act, without releasing a lot of material. why? the answer is simple: all they do is just so good. their sound is both organic and futuristic, and their obvious skills take their productions further than the typical frame and dramaturgy of club a track. still 4/4 rhythmic - but with clever and super melodic bass lines and interesting breaks. >sun< is the first release in a ksd trilogy on tartelet called >schwarzchild trilogy< inspired by the elements that form our galaxy. >the sun< 12inch features a remix from the much hyped alan abrahams aka portable / bodycode, from portugal who made added vocals, deepness and classic mr. fingers juno-6 bass line - deep and clever.

reissue on black double vinyl in gatefold sleeve.

if there is someone who recently has influenced and enriched the deep and tech house scene massively you can only mention one name called >gorge<! his imprint >8 bit<, many coproductions with nick curly, plenty of timeless remixes for steve lawler, chelonis r. jones and solumun, his big club hit >cassiande< on freerange and now his debut album >mood<, all these things have heavily improved why he is one of the most demanded producers in thw world of house music. after all these things, it was gorges great wish to deliver a high quality package of three assorted amazing house pieces for his buddy and friend marc romboy and his systematic imprint. and here they are..

usually i disagree with almost anything fashion designers have to say, but when i was compiling this ep i remembered this quote by the iconic german designer and finally exactly understood what he means. i realized why i react so strongly to den haans music. like proper italo disco its so wrong it must be right. the two glaswegian producers do everything right when it comes to pushing buttons on the dancefloor. to follow their releases on dissident, optimo music and their own imprint courier of death, they have put together this ep that sums up their impeccable feel for hi-nrg / italo fueled dancefloor madness.

nominated as best upcoming artist in 2009 by sebastien leger, siwell for sure is following the path to the sucessfull career in the 2010. between a format b: collaboration, and chris lake remix, here he is on sphera, with this smashing release. useless to explain why it is hammered by umek, leger, knight, popof, format b, lake, lawler, fernandez, karotte and many more not to tell about the fact that bbc1 put it on the playlist !

the second and final part to mossas massive album is festine pt.2. the first part was crafted for a more big room, late night feel and for the second slab of wax were going more for the bouncier out-door, summer fun time feel. there were so many moods on this full-length that we were able to craft specific types of eps. to some this may be more of the sound they come to expect to hear from mossa but we know him best, he has flavors upon flavors, which is very obvious on this ep. hes a hard artist to stereotype, exactly why we had to have him on thema. so for this excursion we have a tango-esque dance floor prime time buner-buleria, that will make you slam tequilas like the true lushes we are. on the flip side we have pezzner of freerange and dave aju of circus company delivering some sultry, tangy, funk for the body

yet another unmissable, under the counter trio of cuts, lovingly crafted from the most unusual of sample sources, combined with squeeky clean production values that make this a dancefloor dead cert. moonshine bears more than a passing resemblance to carl craigs monumental -throw- and ploughs an equally devastating groove, utilizing, of all things a chunk of glitter bands -makes you blind- on the flip the off-kilter but irresistble -revenge of the rock-o-mites- is a re-imagining of the lead track from the incredible rock city band’s impossibly rare electro-funk ep from 83 & sounds like allan parsons remixed by dexter. finally -why d you run away- skillfully reinterprets elements of flash & the pans -ayla- and is more than likely to be blasting out of many an adriactic boat party this summer massive

relaunch of the legendary tresor label! the first new release is by future beat alliance. with such synergy in his music it is easy to understand why artists such as carl craig and laurent garnier have become avid fans.

pablo bolivar is a respected artist of the spanish scene, no wonder why he already has publish two amazing albums. in dynamo you can listen to a smooth organ that touches your soul,an incredible deep house tune to be played when the sun is just about to come out, a good reason why deep house will always last forever.

tornado wallace is the alter ego of a certain mr lewie day, hailing from melbourne and having recently started making great waves following excellent releases on murmur, 8bit and herzlich. tornado wallace pushes down the deeper, detroit-inspired route which is why he approached us here at delusions with these very special tracks.

marius mevold aka mindflow is 25 and hails from trondheim in norway. his nsd debut was picked up early by 1xtras mistajam and when you hear it you?ll soon see why. mindflow has created an absolute monster of a dubstep track thats so catchy even your mum will be dancing her socks off to it: fact. switched has all the elements of a festival anthem, lush old-skool piano chords, soaring diva vocal cuts and huge sub bass wobbles that will shake any summer sound system. just when you think it cant get any better, the half time dubstep beat switches into rolling uk funky vibes. really and truly, this tune is a beast and has already had huge club and radio support from mistajam (6 weeks running on his 1xtra show!) as well as annie mac, kissy sell out, scratch perverts, oneman and caspa. of course a never say die release wouldnt be complete without killer remixes and this one is no exception. d&b men of the moment and remixers extraordinaire, dc breaks, have taken switched to new lofty heights with their super production skills. in line with the old skool vibe of the original, the crisp beats and breaks underpin an awesome sub driven roller that is sure to be on heavy rotation for the summer. dj support: anne savage, cut la roc, excision, far too loud, flux pavilion, freq nasty, futurebound, general midi, high rankin, jaguar skills, kid kenobi, pendulum, reset!, rico tubbs, riskotheque, starkey and more

with ‚into the great wide yonder trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. the original chord progressions and feel for melodies is fundamental to him, and thats also the reason why most of the instruments are played by trentemøller himself on this album. >i like the possibility to be surprised that chords and melodies change into something new. the music that i like most lets the themes and sounds come back in different disguises<. the danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. the first single of the album, the beautifully tender >sycamore feeling<, featuring marie fisker, is a typical highlight

anybody never heard of moullinex? we can t imagine. blogs, music mags and dj s have been getting mad about the digitalfunk of luis clara gomes - better known as moullinex. and all this with only one official release! (breakchops ep 2009). the remix for two door cinema club (kitsune) has been a real club hit and his sebastien tellier remix was the one that had been most featured on playlists (along with a–trak s remix). yes: the remix for cut copy on modular was a bomb, too and his telonius remix is currently playlisted all around. guess that s the reason why so many labels have been chasing moullinex to sign on them. some have been really pushing him hard to join their roster, but luis preferred to stay with his munich buddies at gomma. and so now it is sure: this new moullinex ep is only the beginning of a whole series for gomma records.

this release truly is a thunderstorm and a milestone on the turntable. and even the last couch potato in the universe will finally understand why duoteque have become famous: because of the sweat dripping from the ceiling.

>central< is the first new technasia album in five years - and sure to be one of the musical highlights of 2010. the much-anticipated lp is powerful testimony to why technasia is one of the most respected acts in electronic music. taking its name from the hong kong metro system, >central< is an emphatic creative statement that marks a new milestone an evolving story. technasia mainstay charles siegling was in no hurry to put out an album: >i wanted to give my music time to evolve artistically before making a new record.< the result of his patience is the purest technasia album to date - a seamless interweaving of sounds, styles and moods.

this is hunky drenched chicago style disco house music, pure party shakin 4 track ep ... >drive in< is a perfect swing house follow up to >gramophonedzie - why dont you<

carl cox presents >a personal collection for after hours groovin<.. incl sounds of blackness, 808 state, jesus loves you, timmy thomas and many more well known classics

steve lawler, luciano, carol cox, mandy, loco dice, ricardo villalobos, tiefschwarz matthias tanzmann and many more are all fans of leons work, so its not hard to see why people are already talking about him as a future star. leons remix for tim greens >iotan< (if-18) was already a bomb and now he delivered us to heavy house tracks which are just insane. >stars< and >corner of love< will def be played over the whole summer. on top of that we are pleased to release a yousef remix of >stars< as well.

its a fine line between reference and cliche
its a fine line between rough and cheap
its a fine line between moody and dark
its a fine line between independent and arrogant
its a fine line between obscure and abstruse
its a fine line between intricate and complex
its a fine line between passion and obsession
its a fine line between ambiguity and confusion
its a fine line between style and genre
its a fine line between loud and proud
its a fine line between repetitive and repetition
its a fine line between principles and rules
its a fine line between simple and easy
its a fine line between ideas and ideals
its a fine line between nu and new
its a fine line between disco and disco
its a fine line between tim paris and ivan smagghe ... and thats why they are walking it.

nice price deal !!! marcos returns to his roots and delivers a flawless techhouse production with flamenco influence for his debut on insert coin records. on the flip monoroom show with a massive remix why they are the german guys of the moment.

vol.2 with remixes from robag wruhme, reboot, martinez !! hailing from berlin norman weber and marco resmann released an album in autumn 2009 that can be easily called a success. this is why there were no problems at all to find an illustrious circle of remixers. jena-based robag wruhme already contributed one remix to matthias tanzmanns >bulldozer< in 2006. the old partnership was now revived and robag wruhme was asked for a reinterpretation of another moon harbour track. his version of >mr. jack< captivates you with its mix of funk and darkness and has an overwhelming effect on the dance floor

boy we couldnt resist hooking up with one of the youngest and brightest proteges in the west-coast undergound to slap out some crazy remixes of the bsu ep for yall. who is he? why, a made up sound ofcourse, or 2562 for short. steamrolling his way onto the scene in 2007, 2562 has been a mainstay from the get go, with amazing production skills and a keen ear for what rocks the house. in a very short time the 2562 name became almost synonimous for dubstep. but luckily for us theres the made up sound guise to provide us with a more mutant hybrid of slamming jak-step (and remember where you read that first). so take your pick, heres one for the heads and one for the bodies.

portugal based talented deep house producer johnwaynes. they have released at compost black and mule musiq. thats why deep house producer johnwayness new single is coming out on endless flight, because of their new moniker just john.
johnwaynes determined to release an alternative stuff or music which they dont play the instruments by themself by this moniker. the sound is similar with the revenge or motor city drum ensemble. both tracks are beatdown housetrack with the vocal sampled from 70s soul. music is simple but very attractive.

uno6 and sven tasnadi demonstrate once again why they can be called some of the best producers in leipzig.

fatima drops her first official solo release. after featuring on many of last years biggest tracks including shafiq husayns lil girl, floating points peroration five, tettorybads unite ,funkinevens, kleer as well as live collaborations with i.g cultures zen badizm workshop, the floating points ensemble and not to mentioned a recent live p.a. with slum village, its plain to see why the london resident is in such high demand. this 12 features production from the likes of dam funk, veebeeo and funkineven, and is an eclectic journey through the thoughts of this 24 year old, swedish born, east london based star. check!!

inspired on a house classic of lil louis (why fall), a long building party anthem wich has already proven its quality. limited one sided testpressing!

following on from their last ep, the worldwide renowned mn2s quickly drop their next 12inch release – again allowing a sneaky peek into all the forthcoming goodies the label is planning over the next couple of months! big vocal numbers are definitely order of the day here, with tracks from soul avengerz, sofia rubina, danism & justin michael all once again proving just why the label is rightly regarded as one of the leading players in house music.

new sound signature and a brand new collaboration between theo parish and detroit soul singer bill beaver aka billy love. so i called bill since we hadnt recorded in a while. he came by and i started playing ideas for him and these four happened that day. full length coming says theo. sounds like they had quite a productive day. theos beats as ever sound great and these four tracks join the dots between new soul music and dusty detroit house.

luke slaters mote-evolver label is enjoying an impressive run of form. having chalked up one of the standout cuts of the autumn in the shape of cari lekebuschs >spindizzy< and dropped two floor-shaking futuristic techno megabombs from ortin cam (>carnage< & >felt<) either side of the new year there can be little doubt that the long-standing label is as relevant now as it ever has been.
one of the key players in finlands techno scene, samuli kemppi has a reputation for making forward-thinking, boundary blurring electronic music. coming up to his tenth year as a producer, his knack for blending the best of the past with cutting edge sounds has seen samuli appear on labels as diverse as ovum, siesta, komisch and prologue, providing all the credentials necessary to understand why samulis style has consistently drawn attention from all corners.

played by claude von stroke, timo maas, luciano, livio & roby, mihalis safras, d julz, hosh! after his huge success of the summer that was >trumpets victory< only 19-year old kiddo david august is back on stil vor talent with his second ep: sweden roof. sweden roof is also the title track on this two-track ep that is about the funkiness of house music and the glorious moments of melodies. a cut up vocal sample dominates the groove until we can hear why david august is more than a producer, but a musician after all. the great organ melody will have whole floors swinging along to this monster of musical raffinesse. this sound is like crack, once you try, you want more of it. now! and luckily there is. feeding our addiction on the flip is soul kitchen, an even more organic piece of tech-house-niceness. clap snares, pianos, a deep male vocal sample and equally as much sex appeal as dancing at the carnival in rio. this is soulful house music and it doesnt get any better. these two new tracks show that david august is no one hit wonder. >sweden roof< proves how deeply david seems to be in touch with house music - and the dancefloor.